25 years and about a week ago we lost a great american voice. Steve Goodman, most famous for penning "City of New Orlean" (what some consider the greatest train song ever penned), died on Sept. 20th 1984 of leukemia at the age of 36 (a disease he had been suffering with for 15 years). Discovered together with friend and contemporary John Prine by none other than Kris Kristofferson in 1971 and propelled to fame in 1972 when Arlo Guthrie had a hit with "City of New Orleans". Legend has it that Guthrie agreed to listen to Goodman's song so long as Goodman bought him a beer and he would only listen as long as it took him to drink the beer. Well the song he played for Guthrie was "City of New Orleans" and the rest....as they say...
Steve Goodman is also known as the writer of "You Never Even Called Me By My Name, made famous by David Allan Coe who added the infamous "the perfect country and western song" ending refrain. On this recording here, the ever smartass Goodman adds his own "perfect country and western song" ending refrain which is not to be missed.
The sound on this is pretty good. The beginning intros of both the concert and the radio show are kind of annoying but easy to get over.
Well, got a comment from the guy who taped the Sam Baker show (and the other Sam Baker shows I'm assuming) and he wasn't very happy that I had converted his original FLAC files to "lossy" MP3's. Understandable. I explained to him the reasoning behind this was that I assumed most of my readers would rather have an MP3 file (as would I). Personally I think FLAC files take up too much disc space, and are unplayable in most media players. Another thing is when I convert the files to MP3, I actually rename them, create artwork (if none exists), and properly tag the MP3's (including cover art) so they look all nice, organized, and pretty in your media player of choice. His stance is that by converting the files, someone else could come along later, burn to a CD, then re-rip and share on a trader's site and BAM! now there are "lossy" files being passed off as lossless corrupting the database. Something like that. While that scenario could very well happen, it could happen a number of other ways as well (for instance, that very Sam Baker show is also being shared as a single WMA file on Sugarmegs, not to mention the ENTIRE archive.org database can be dl'd in low bitrate MP3's).
While I really really appreciate what these tapers do (really, I love that you guys go out and capture these amazing shows), I don't agree with the whole "do not convert to MP3" thing. I mean, correct me if I'm wrong but isn't the reason you guys tape because you think the music you are recording should be heard? Wouldn't it then stand to reason that by converting and tagging the files in MP3, the format of choice for the digital generation, that even MORE people are going to hear this great artist you are trying to get heard. I consider what I do akin to promotion, I post stuff on here because I think it should be heard. The last thing I want to do is make it difficult for the readers to HEAR something I think they should hear. I do not want to pass the job of converting and tagging the files onto my readers, no I am happy to do it, and I actually enjoy making the artworks for the shows probably a little more than I should.
So after thinking about this all weekend, I don't think I will stop converting and tagging the files. What I will do is make sure I put a note at the very top of the accompanying TXT file that states in big fat letters **THESE FILES HAVE BEEN CONVERTED TO 192bitrate MP3**. Therefore if the files do get proliferated, all one has to do is look at the TXT file (which features the lineage anyway) and it will be clear the files have been converted.
Sorry and Thank You at the same time to all the tapers out there. What you guys are doing is MUSIC PRESERVATION.
If any of my readers DO happen to want FLAC files, I recommend going over to www.dimeadozen.org, which is where I get a lot of the newer boots I post (and I have a feeling where I will likely be banned from now :-P).
Also here is a poll, because I am interested in what you the reader thinks.
Here we have a new Sam Baker show. This one includes songs from all three albums of the Mercy Trilogy....including the latest Cotton. These are even more stripped down versions of his songs...and man are these SONGS! I've read that Sam takes a long time to write his songs because he crafts them....he chooses the perfect words for each song. It shows. Sound on this one is great, and it's a song heavy show. Sam comments repeatedly that it's the fastest show he's ever done, joking about his long windedness saying he once played an hour set in Texas and only got 4 songs in.
If you haven't picked up Cotton and are a fan of Sam's other albums...what are you waiting for? It's a continuation of Mercy and Pretty World.
Also I have another new Sam Baker that is about twice as long as this one. Lots of talking, really interesting. I will post it later if there is interest in the comments for it. (that means comment if whether you want me to post it or not).
Well the free albums just continue to come. This one you need to sign up for a mailing list for, but fans of say....Dwight Yoakam or Dale Watson would likely dig. That is to say, this vears far more towards the mainstream than typical ATS fare. Well that is not entirely true.....unless we are maybe talking the mainstream of 1992 then it's a better statement. so yes, that is an apt description "throwback mainstream country".
That said, as a fan of 70's Burt Reynolds' movies (call it a guilty pleasure....but I feel no guilt!)....I really like the song Burt Reynolds Movie Brawl
All I can say about Tom Russell is WOW! I am extremely late to the party on Tom but consider me a huge fan! I had heard versions of his songs by other favorite artists, like Doug Sahm's version of St. Olav's Gate, and Johnny Cash's version of Veteran's Day but those versions are no match for Tom's. His latest album Blood and Candlesmoke (more on that coming up) is a modern masterpiece, and his back catalouge ain't too shabby either. This radio show is evidence of that. Backed by A Truer Sound favorite Steve Young, Tom plays in support of his then newly released album Poor Man's Dream. The interviews intermixed with the songs are something long time Tom Russell fans will not want to miss, and for new Tom Russell fans (like me) this makes a great intro to his back catalouge. Fans of Guy Clark, Bob Dylan, Townes Van Zandt, Kristofferson, McMurtry, Cash's folky side and just great singer songwriters in general will be doing themselves a disservice to not be familiar with Tom Russell.
Well, another album review. This one is so good I just had to do a review of it. Bettysoo is going down as my discovery of the year, how I managed to miss her prior 3 albums is beyond me, but you can bet I will be exploring her back catalog after hearing this wonderful album.
Now first let's get the obvious out of the way, Bettysoo....that is her name, in her own words"I guess Asian-American songwriters aren't that common. At least, not in Texas". Well songwriting and singing of this caliber aren't that common anywhere honey.
If I had to try to explain her sound well I would say she has the voice of an angel, similar to Allison Krauss, but with a swagger and honesty that is more closely related to early Lucinda Williams. Of course some of that Lucinda-ness may be attributed to producer extraordinaire Gurf Morlix (who has also produced Lucinda, Slaid Cleaves, & Ray Wylie Hubbard just to name a few). Here he pulls guitar duty as well as production giving the album his trademark "grit and groove" sound which matches seamlessly with Bettysoo's vocal stylings. Songs like "Never Knew No Love" and "Get Clean" showcase this perfectly. With Gurfs trademark guitar and organ sound blending with Bettysoo's words and voice like Bailey's blends with Coffee.
But don't think it's all "grit and groove", no there is also a softer tender side to this album. With songs like "Just Another Lover", "What We've Got", and "Forever" echoing not just the aforementioned Allison Krauss, but artists like Eliza Gilkyson and Nancy Griffith as well.
The album closes with the song "Next Big Thing", which is not only a beautiful song, but I hope a little bit of foreshadowing for Bettysoo's career.
Recommended if you like: Lucinda Williams, Eliza Gilkyson, Kasey Chambers, Allison Krauss, Nancy Griffith, Kathleen Edwards, Pieta Brown, Patty Griffin...
While this may not be the best Johnny Cash live album (that distinction goes to either Folsom or San Quentin depending on who you ask and on what day), it's certainly the most interesting. Interspersed with stories and dialouge and pure interaction with the audience. This album makes you realize that Johnny Cash's career did not suddenly end in 1970 and pick back up in 1994 as some would like to believe. No, The 70's were a fruitful time for the Man In Black, while certainly not as classic and legendary as his 50's and late 60's performances and albums, he was certainly at the top of his game as a performer.
This album is a testament to that, and it's a wonder in this day and age how an album like this remains out of print. If you are looking for Johnny Cash singing the hits, look elsewhere, no Folsom Prison Blues performed at this show (could this be the only Johnny Cash live album to NOT have Folsom on it?). Only hits to speak of are Big River and possibly I Got Stripes (with the band yelling out between verses). Includes an amazing rendition of Rock Island Line which he plays for Lonnie Donegan (who had a hit in the UK with Rock Island Line) who is in the crowd.
The most interesting part of the show however is when June starts to sing Church In The Wildwood but is interrupted as the theater (the London Palladium) must be evacuated for an IRA bomb threat.
Have had a few requests for this from folks over at the Chris Knight Forums, so thought I would get off my ass and post them.
As I said in the original post, this is a killer Chris Knight bootleg. For a number of reasons, 1. Chris Knight is from Kentucky, 2. it's almost a new years show, and 3. it's a full band show. So it's Chris playing on his home turf with and for his friends at a time of festivities.
If you haven't already, head over to chrisknight.net (not to be confused with christ knight dot net, which is something else entirely), and pre-order the excellent Trailer II, which is the follow up the The Trailer Tapes, and includes more early demos that are powerful as a hurricane in their starkness and honesty. ---------------------------------------------------------------- Now this is a killer bootleg. An almost New Years Eve show from 2006 with his band and damn are they in high gear. The sound on this one is excellent, and the performance is damned good too. This one is a must for all Chris Knight fans.
and you thought it was over! Well I guess that should say I thought it was over.
Well I couldn't NOT tell you about the amazing deal Suburban Home Records is offering right now. In celebration of their 14th anniversary they are offering just about any album in their catalog FREE! Any album you choose. Just go to the Suburban Home Free Album page, enter your email and choose the album you want. Simple as that...and AWESOME!
Might I recommend some things to check out..the killer new Austin Lucas for old time and bluegrass fans (check out ninebullets recent review), Drag The River, Two Cow Garage, for those who like a little punk mixed in with their twang, the underrated Tim Barry. Myself, I will be checking out the new Jon Snodgrass (of Drag The River) and Cory Branan (the guy name dropped in Lucero's "Tears Don't Matter Much") new self-titled collaboration album. If only because it has the most kick ass album cover I may have ever seen!
All right, this site is not about stealin' music, and it's not about stickin' it to the RIAA. It's about me wanting to get the music I love out there and heard. I've said it many times on here, and the fact that some of the talents I showcase on here are largely unknown is a crime. It's a shame what popular radio & music has become when there are so many great artists out there living in obscurity giving it everything they got.
Really folks, if you like what you hear, support the artists. Buy their albums, go to their shows, tell your friends, whatever you gotta do. Most of these are at crappy bitrates anyway. Truersound@gmail.com
2025: Våre favorittalbum
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2025 har vært nok et godt musikkår. For egen del så merker jeg stadig at
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ten...
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